Operating as performance artist, writer and director, Buescu’s artistic praxis combines autobiographical elements with techniques of research and documentary mainly staged as live performance art pieces. Alexandru Buescu was born in 1985 in Bucharest, The Socialist Republic of Romania, under the communist regime of Ceaușescu. His work questions social issues related to: freedom of speech, fake news, internet, individual or collective memory, distribution of the sensible, human alienation due to technology, rituals, family, adulthood, isolation, fear, loss of individuality or the duality and problem of the ego. At the same time, it challenges assumptions, perceptions and expectations related to his own art practice and research. To this the live dimension of his performances aims to create inspiring or provocative experiences for the audience, where the vitality of the (rebellious) human body as opposed to fixed, rigid structures (buildings, concrete floors, machines, the earth) is always displayed as a declaration of freedom against oppressive treatments. By creating unexpected situations or inventing ambiguous “characters”, directly or indirectly related to his own nature, in his performances Buescu investigates the roles of the performer and the audience, the exposure of body, the question of the representation from conventional schemes to real situations. The use of videos, voice or sound recordings, objects made out of paper, toys, photos, poems, official documents, interviews, sand or even animal meat acquire symbolic meaning in his work while the traces left on stage became evidence of the everyday absurd human behavior. Driven by his own life experience, curiosity and critical thinking towards a profound understanding of the present issues that shape our society, Alexandru undertakes long time periods of research practice across various fields, usually opposite to his artistic training.
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Iulius Caesar.Spared Parts
Theatre

31/08/2017

"A revisitation of Julius Caesar, staged for the first time by the Socìetas Raffaello Sanzio in 1997, cannot be mistaken for a mere indulgence in nostalgia or a simple display of vanity.

The separate discourses of “…vskij” and Marco Antonio are now seen directly facing one another, like two living nuclei. These pieces are detached, as though they alluded to a whole but, at the same time, went beyond it functionally. These finely chiselled images of a drama inherent to the voice act out a struggle against the power shrouded by the force of words. The topology of (the actor’s) speech, entirely enveloped by language and its machines, and its compromise with rhetoric, represent the two extremes of a polarity whose form consists of moulds and imprints. At the centre lies the body – above all, the locutionary organs." (via Societas.es)

Dramatic intervention on W. Shakespeare
Conceiving and staging: by Romeo Castellucci

Julius Caesar: Gianni Plazzi / Corrado Della Libera
Mark Antony: Nicola Frangione
…vskji: Sergio Scarlatella
Marcus Junius Brutus Minor: Alexandru Buescu
Director assistant: Silvano Voltolina
Sound technician: Nicola Ratti

Location: ARCUB Gabroveni, Large Hall, Bucharest @ UNDERCLOUD -International Festival of Independent Theatre.